ACT Heritage Library Manuscript Collection
HMSS 0233 David Branson Papers
Scope and contents notes
|
Call Number |
HMSS 0233 |
|
Collection |
David Branson Papers |
|
Date Range |
ca. 1985-2001 |
|
Quantity |
|
|
Access Conditions |
Restricted access; restricted reproduction |
|
Related Collections |
- |
Biographical Note
David Branson (1964-2001), artist, theatre director, actor, musician, was born in Melbourne, Victoria. He came to Canberra in 1965 with his family where he grew up and was educated.
He was involved with drama and musical productions both at Watson High School and Dickson College. He was a member of Canberra Youth Theatre whilst still at school where his love of the theatre was developed and fostered. He was a founding member of the influential Splinters Theatre of Spectacle and Co-artistic Director. He studied drama at Rusden and at Victorian College of the Arts.
From 1996 he was Artistic Director of Culturally Innovative Arts (CIA) which he founded with partner and fellow-Canberran Louise Morris.
Branson acted throughout Australia in Melbourne, Sydney andCanberra, performing with many theatre companies and for the Australian National Playwrights Conference several times.
Some of his directing highlights include: Bertolt Brecht and Kurt Weill's The Threepenny Opera (CIA/STOPERA), Handel's Ariodante (STOPERA), Ribbons of Steel, a large scale multi-artform project to mark the closure of Newcastle's BHP Steelworks; Piper at the Gates of Hell (Canberra Youth theatre) a production with which he toured to Hong Kong; an adaption of Distoevsky's Demons for the ACT Festival of Community Arts and numerous acclaimed productions for Melbourne's La Mama Theatre. A passionate supporter of Australian writers he also directed works by Graham Hendersons, Daniel Keene, Alison Croggon and Christos Tsiolkas and Lally Katz.
Branson also played the violin, originally classically trained and playing with the Canberra Youth Orchestra for many years and travelling overseas with them in 1980. He played with many musical groups and bands notably in the Canberra band Mikelangelo and the Black Sea Gentlemen whose debut self-titled album was released after his tragic death in 2001.
Branson Street, Dunlop, is named for David Branson.
Source: ACT Planning Authority, Place Names Database.
Arrangement Notes
The material was largely arranged and described by Joel Swadling at the home of Branson’s mother, Margaret Hunt, in August 2010. Swadling arranged it into the major series listed from a highly disorganised personal collection. He could discern no useful original order to most of the material.
On arrival at ACT Heritage Library the material was reboxed and a quantity of unsorted material which arrived at the same time received a preliminary arrangement and description with some recommendations for further archival work.
Series Description
Series 1: Scripts
Scripts kept by David Branson, often with annotation, but not necessarily used in performance.
Series 2: Production Notes
Files for productions in which David Branson was involved. This list indicates files as titled; contents of files will be further described at a later date. (JS, 15/8/10)
Series 3: Splinters Company Administration
Files relating to the administration of the Splinters Theatre Company.
Series 4: Other Theatre Companies/Governmental Arts Bodies
List indicates files as titled; contents of these files will be described at a later date. JS, 16/8/10.
Series 5: Personal Correspondence and Journals
The journals and personal correspondence of David Branson. At the request of the family, this series is restricted. To apply for access, please contact the ACT Heritage Library.
Series 6: Media Publications/Flyers/Programs/Photos and Images:
(The following is an indicative list to give a flavour of the variety of materials:)
Revolver Magazine – Editorial listings
The Sydney Review – Sept. 1995 (No. 79)
Sydney Theatre Company (Sydney Festival & Carnivale) – “Sydney Stories”, Programme 1; Wharf 1, 7-14 January, 1995
Flyer, “Tidal Waves” – Tresno movement/opera- Chamber-Made Opera; Performing Lines by arrangement with the Sydney Theatre Company in association with Sydney Festival and Carnivale; Jan. 5-Feb.4, 1995
“Oscar and Lucretia” by Raymond Cortese; The Studio, Performance Space Redfern; Jan. 18-Feb.5, 1995; 1995 Sydney Fringe Festival
University of Sydney, Continuing Education Program (Feb.-June 1995). Front cover feature: Orson Welles study day with David Stratton
“Your Brilliant Career – Career Options for Women” – CES Training Courses Promotional Poster
“The Australian” magazine, Feb. 5-6, 1994; “Children of the Holocaust” by Rosemary Neill (story on Australian War Memorial exhibition of paintings by Jewish children of Nazi ghetto, Terezin)
“Australian” mag., Jan.22-23, 1994; “Taboo Breaker” by Jennet Conant (story on Tom Hanks’ AIDS’ character-role in movie “Philadelphia”)
“City” magazine, Sept. ’95: Brett Whitely retrospective
Adelaide & Fringe Festival Program: separate lift-outs from “The Advertiser” newspaper for Saturday, Ferbuary 28 and Monday, March 2 – Wednesday, March 8, 1998
“lowdown”(magazine of Youth Performing Arts in Australia); June 1998, Vol. 20, No. 3
“lowdown”: ‘In Context’ column (June 1997) – Review by Kathleen Bleakley of “3 Sisters Called Eve”, by Matthew Aberline (prod. Aberline w. Looking Glass Theatre and Canberra Youth Theatre). Includes production photo of David Branson with Kath Papas, Miranda Rose and Anna Sarris.
Program, Irving Berlin’s “Call Me Madam!” (starring June Bronhill); Canberra Philharmonic Society and the Canberra Theatre Trust; Canberra Theatre, October 17-19 & 24-26, 1985.
Program, “Master Builder” by Henrik Ibsen; Belvoir St Theatre.
Program, “Shop” and “The Necessary Orgy”; Open City in association with Sydney Festival & Carnivale; Australian Steam Navigation Company Building, Jan. 17-22, 1995.
Program, “Bacchae – Burning By Water”, by Renato Cuocolo; IRAA Theatre, Alphington; 15 February-12 March, 1994.
STC News: 5-19 December, 1994.
Program, Chekhov’s “Three Sisters”; Dickson College (1991?); Lorena Parem, director.
Program, “Circo” (directed by and starring Pierre Bokor); Meryl Tankard Studios, Gorman House (incl. newspaper-clipping, review by Helen Musa: “‘Circo’ is not the ‘Greatest Show on Earth’).
Program, “About Face” by Merrilee Moss from an original concept by Chrissie Shaw, directed by Teresa Bremner; Belconnen Theatre, Sept. 11-13 & 18-20, 1991. Assisted by ACT Government through its Arts Development Board; CAPO; Gorman House Arts Centre; The Arts Council of Australia ACT Division; and Topstage Productions.
Series 7: Theatrical and Political Discussion Papers/Creative Writing by various authors
Series 8: Audiovisual materials
Audio and video recordings in a variety of formats. Includes private work and workshops as well as Splinters materials.
Series 9: Posters
In need of appraisal, arrangement and description. There are many duplicates.
Series 10: Set models
2 models of Springbank Island
Box List
|
SERIES NO. |
BOX NO |
DESCRIPTION |
QTY |
INCLUSIVE DATES |
|||
|
1 |
1-8; 40 |
SCRIPTS |
|
|
|||
|
1 |
1 |
Absurd Liberty – Sean Monro |
|
|
|||
|
1 |
1 |
Accidental Death of An Anarchist - Author? (Published Script) |
|
|
|||
|
1 |
1 |
After the Rain – Phil Doyle |
|
|
|||
|
1 |
1 |
The Agony of Love: Two Japanese Women and a Barking Dog – A Film Script - Author? |
|
|
|||
|
1 |
1 |
All Souls – Daniel Keen |
|
|
|||
|
1 |
1 |
Annie: Charles Darwin’s War on God – Steve J. Spears |
|
|
|||
|
1 |
1 |
An Ordinary Day – Author? (Published Script) |
|
|
|||
|
1 |
1 |
The Arbitrary Abattoir of Fate – Sean Monro |
|
|
|||
|
1 |
1 |
Arcadia – Author? (Published Script) |
|
|
|||
|
1 |
1 |
Autogeddon – Heathcote Williams |
|
|
|||
|
1 |
1 |
Baurnhof: A Play in Three Parts – Kate Herbert (“Draft Six”) |
|
|
|||
|
1 |
1 |
Beneath Heaven – Daniel Keen (Various Copies, Highlighted and Marked; “Winner of the 1995 Wal Cherry Play of the Year”) |
|
|
|||
|
1 |
1 |
Betrayal – Harold Pinter (Published Script) |
|
|
|||
|
1 |
1 |
Big River – Alexander Buzo (Published Script) |
|
|
|||
|
1 |
1 |
The Blessing – Author? (Handwritten Short; incl. Piece of Tie-Dyed Fabric and Poem, “A Breastplate Against Death”) |
|
|
|||
|
1 |
1 |
Border Country – Anne-Marie Mykta |
|
|
|||
|
1 |
2 |
A Boy for Me A Girl for You – Ian Nash (Published Script) |
|
|
|||
|
1 |
2 |
The Boy in My Closet – Kelly West |
|
|
|||
|
1 |
2 |
Brainscrew – Author? (Published Script Applications To Perform Play To Margaret Ramsay Ltd.) |
|
|
|||
|
1 |
2 |
But Where’s Duncan? – Author? |
|
|
|||
|
1 |
2 |
Can You Keep A Secret...? - Anne-Marie Mykta |
|
|
|||
|
1 |
2 |
Can’t Pay? Won’t Pay! – Author? (Published Script) |
|
|
|||
|
1 |
2 |
The Card Index/The Interrupted Act/Gone Out – Tadeusz Rosewicz(Published Scripts) |
|
|
|||
|
1 |
2 |
The Censorship of Hysteria – Author? (Heavily Marked, W. Heading “David’s Script”) |
|
|
|||
|
1 |
2 |
Chamber Music – Arthur Kopit (Published Script) |
|
|
|||
|
1 |
2 |
The Changeling – Thomas Middleton and William Rowley (Published Script) |
|
|
|||
|
1 |
2 |
Cold Pizza – Daniel R. Lillford |
|
|
|||
|
1 |
2 |
The Collector – John Fowles and David Parker (Published Script) |
|
|
|||
|
1 |
2 |
Cowboy Mouth – Sam Shepard (Published Script) |
|
|
|||
|
1 |
2 |
Cross Purpose – S. Beckett Author? Published Script |
|
|
|||
|
1 |
2 |
Cut Strings – Elspeth Tremblay |
|
|
|||
|
1 |
2 |
Cybergrrrls – Jerry and Morgana Everrard (Cover Note From Jerry Everrard) |
|
|
|||
|
1 |
2 |
Db Meets C of A – D. Millington |
|
|
|||
|
1 |
2 |
Dead Caucasians – Christos Tsolkios (“5th Draft September, 2001”) |
|
|
|||
|
1 |
2 |
Decibels – Author? (Published Script) |
|
|
|||
|
1 |
2 |
Demon – Kate Herbert (“Fifth Draft”) |
|
|
|||
|
1 |
2 |
Designer Deathbeds – David Shinner and Pia Rada |
|
|
|||
|
1 |
2 |
Dialogues with the Oracle – Kate Mcnamara (“Copywright September 1986”) |
|
|
|||
|
1 |
2 |
Don Juan – Moliere (Trans. By Nicholas Enwright) (Published Script) |
|
|
|||
|
1 |
2 |
The Driven – A Two-Act Play – A Black Comedy – Daniel Lillford |
|
|
|||
|
1 |
2 |
Duck Seasoning – Author? (“Version 4” Heavily Marked) |
|
|
|||
|
1 |
2 |
Duet for A Schizophrenic – A Short Play in Three Parts – Chris Johnson (Published Script) |
|
|
|||
|
1 |
2 |
The Education of Skinny Spew – Author? (2 Copies. Published Script) |
|
|
|||
|
1 |
2 |
An Ego Trip, or Bringin’ Jesus Home – Khalil Juredini |
|
|
|||
|
1 |
2 |
Escape From Wonderland – A Play in Two Acts – Bruce Hoogendorn |
|
|
|||
|
1 |
2 |
Essenin and Mayakovsky – Author? (Partial Script Only) |
|
|
|||
|
1 |
2 |
Estrella – Daniel Keen |
|
|
|||
|
1 |
2 |
The Evil Queen – Larry Buttrose (“First Draft (Revised) May 1992” |
|
|
|||
|
1 |
2 |
The Exploitation of Youth in Today’s Society – Author? |
|
|
|||
|
1 |
3 |
Faust- the Heat of Knowledge – Author? |
|
|
|||
|
1 |
3 |
Fire on the Snow – Douglas Stewart (Published Script) |
|
|
|||
|
1 |
3 |
The First Day of Peace – Horst Laube (Trans. By Hans Werner) |
|
|
|||
|
1 |
3 |
The First Train – Daniel Keen |
|
|
|||
|
1 |
3 |
The Five Dollar Mother – Kelly West |
|
|
|||
|
1 |
3 |
A Flea in Her Ear – Author? (Published Script, Photocopied in Workbook; Heavily Marked) |
|
|
|||
|
1 |
3 |
Fox and Zero – Author? (Encl in Envelope W. Notes for David Branson) |
|
|
|||
|
1 |
3 |
The Four Elements, the Death of Empedocles Prearranged – Gerald Keaney (incl. note to Splinters Theatre) |
|
|
|||
|
1 |
3 |
Frankenstein, or the Ordered Life – Wolfgang Deischel (Trans. Chris Burton) |
|
|
|||
|
1 |
3 |
Fur Elise (A Short Play) – Graham Henderson (“Copyright 1997”) |
|
|
|||
|
1 |
3 |
The Glass – Author? |
|
|
|||
|
1 |
3 |
The Golden Age – Louis Nowra (Published Script) |
|
|
|||
|
1 |
3 |
The Goodbye – Author? |
|
|
|||
|
1 |
3 |
Gormenghast – A Two-Act Play Adapted By Marce O’hare |
|
|
|||
|
1 |
3 |
The Great Tale – Paschal Daantos Berry in Collaboration With Canberra Youth Theatre |
|
|
|||
|
1 |
3 |
The Ham Funeral – Patrick White |
|
|
|||
|
1 |
3 |
Hamlet Prince of Denmark – W. Shakespeare |
|
|
|||
|
1 |
3 |
Homage – Daniel Lillford |
|
|
|||
|
1 |
3 |
Hotel Sorrento – Author? (Published Script) |
|
|
|||
|
1 |
3 |
The House on the Rock – Author? (Published Script) |
|
|
|||
|
1 |
3 |
The Human Voice – Jean Cocteau (Published Script) |
|
|
|||
|
1 |
3 |
Identity Unknown – A Short Film – Ivo Lovric |
|
|
|||
|
1 |
3 |
In A Moment of Loss – Author? |
|
|
|||
|
1 |
3 |
In Camera – Author? (Published Script) |
|
|
|||
|
1 |
3 |
In the Grand Hotel – A Play About Street Kids – Anne-Marie Mykta (1989) |
|
|
|||
|
1 |
3 |
In the Secret Room – Kate Mcnamara (Copyright April 1988) |
|
|
|||
|
1 |
3 |
Isabella the Astrologer – Author? (Published Script) |
|
|
|||
|
1 |
3 |
Jesus Christ on A Bicycle – Kelly West |
|
|
|||
|
1 |
4 |
The Joker of Sevile (For Ronald Bryden) – Author? (Published Script) |
|
|
|||
|
1 |
4 |
Journey Home – Anne-Marie Mykta (incl. Letter To David Branson) |
|
|
|||
|
1 |
4 |
The Journey of the Fifth Horse – Author? (Published Script; Photocopied in Workbook, Heavily Marked) |
|
|
|||
|
1 |
4 |
Kalldewey, Farce – Botho Strauss (Trans. By Fred Haynes) |
|
|
|||
|
1 |
4 |
Kassandra and the Wolf – Margarita Karapanou |
|
|
|||
|
1 |
4 |
Kurtz – Larry Buttrose (‘Based On “Heart of Darkness” By Joseph Conrad’; C.1991) |
|
|
|||
|
1 |
4 |
Kylie and Luke’s Plane Script – Author? |
|
|
|||
|
1 |
4 |
Last To Go – Author? (Published Script; From “Revue Sketches”) |
|
|
|||
|
1 |
4 |
Lazarus and His Beloved – Author? (Published Script) |
|
|
|||
|
1 |
4 |
A Letter To Havik/Rolecall (Two Parts of “Chocolate Rules! Ok? A Play in Two Parts”) – Anne-Marie Mykta (C. October 1992; includes Letter To D. Branson) |
|
|
|||
|
1 |
4 |
Life in Tuscany – Gina Dow and Individual Contributors of Text (“Second Draft – Based On the 1859 Travel Book By Mabel Sharman Crawford”; incl. Note To Patrick Troy) |
|
|
|||
|
1 |
4 |
Light Particles – Sean Monro |
|
|
|||
|
1 |
4 |
The Little Match Girl – Author? (incl. “Legs On the Wall”, “Sealskin Soulskin”, “Bottle O’ Brains” and Other Sketches) |
|
|
|||
|
1 |
4 |
The Lonesome Man – Author? |
|
|
|||
|
1 |
4 |
Lovelocks Dream Run – Author? (Published Script; Photocopied in Workbook, Heavily Marked) |
|
|
|||
|
1 |
4 |
(A Selection of Text From) Love Poems From A Border Town – Catherine Hassall |
|
|
|||
|
1 |
4 |
Lovestories – Doug Mason (“Draft #1 – 16/6/95) |
|
|
|||
|
1 |
4 |
Low-A Play – Daniel Keene |
|
|
|||
|
1 |
4 |
Macbeth (Shortened Version) |
|
|
|||
|
1 |
4 |
The Maids – Jean Genet |
|
|
|||
|
1 |
4 |
The Malevolence – A Play in Three Acts – Adriano Dino Cugola |
|
|
|||
|
1 |
5 |
Meat Party - A Play in Two Acts – Le Quy Duong (“Vietnamese To English Translation By Lien Yeomans; Performance Version By Yaron Lifschitz”) |
|
|
|||
|
1 |
5 |
Marathon – Ricardo Monti |
|
|
|||
|
1 |
5 |
The Man With the Flower in His Mouth – Author? (Published Script; Trans. By Gigi Gatti and Terry Doyle) |
|
|
|||
|
1 |
5 |
The Massacre at Paris – Christopher Marlowe (Published Script) |
|
|
|||
|
1 |
5 |
Merlin, Or the Barren Land – Tankred Dorst With Ursula Ehler (Trans. Neville and Stephen Plaice) |
|
|
|||
|
1 |
5 |
Stephen King’s Misery – D. Joe Woodward |
|
|
|||
|
1 |
5 |
Moonlight at Midday – Terry Aulich |
|
|
|||
|
1 |
5 |
Morganna Le Fey – Kate Mcnamara |
|
|
|||
|
1 |
5 |
Munjong (Hopeless) – Richard Walley |
|
|
|||
|
1 |
5 |
My Foot My Tutor – Handke (Published Script) |
|
|
|||
|
1 |
5 |
My Funny Old ---! – Niamh Kearney (1998) |
|
|
|||
|
1 |
5 |
Napoleon’s Bananas – A Short Play – Graham Henderson |
|
|
|||
|
1 |
5 |
Nell Amor Confido – Music By Pergolesi, Libretto By Elio Gatti (Published Script) |
|
|
|||
|
1 |
5 |
The New Employee – Author? (Film Script) |
|
|
|||
|
1 |
5 |
A New Wive’s Tale – Bill Fleming (C. 1997; Version of March 1999) |
|
|
|||
|
1 |
5 |
No Coffee, No Apple Pie: A Screenplay - Joel Swadling (Based On the Play “At the Cafe Tapas Tonight”, By Peter Knox) |
|
|
|||
|
1 |
5 |
Norma – Alan Owen (Published Script) |
|
|
|||
|
1 |
6 |
The Old Familiar Juice – Jim Mcneil (Published Script) |
|
|
|||
|
1 |
6 |
Old Rose – Heinrich Henkel (Trans. Robert David Macdonald) |
|
|
|||
|
1 |
6 |
The Open Couple – Franca Rame (Trans. Stuart Hood) |
|
|
|||
|
1 |
6 |
The Pale Woman – Hal Judge (22 Nov 97 Draft) |
|
|
|||
|
1 |
6 |
Party Time – Harold Pinter (Published Script) |
|
|
|||
|
1 |
6 |
P.E.T.A.L – Cate Kennedy, Huw Davies, Sid Walker, Joss Davies (Partial Script Only) |
|
|
|||
|
1 |
6 |
Piano Plays (Klavierspiele) – Friederike Roth (Trans. Estelia Schmid and Billy Colvill) |
|
|
|||
|
1 |
6 |
Picnic With Fatima – Mark Stratford and Tahir Cambis |
|
|
|||
|
1 |
6 |
Play Dough Format – Author? |
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|
|||
|
1 |
6 |
The Possessed – Albert Camus (Published Script; Based On the Novel By Fyodor Dostoevsky) |
|
|
|||
|
1 |
6 |
Pre-Paradise Sorry Now – Rainer-Werner Fassbinder (Published Script; Trans. Peter Zander) |
|
|
|||
|
1 |
6 |
Pretty Little Memory – Lally Katz (1997) |
|
|
|||
|
1 |
6 |
Princess Speach – Author? |
|
|
|||
|
1 |
6 |
The Rabbi of Ragged Ass Road – A Play in Two Parts – David Copelin (Draft 7, April 2001) |
|
|
|||
|
1 |
6 |
Rare Earth – Author? (Published Script) |
|
|
|||
|
1 |
6 |
The Red Priest – Ronald Evans (“Rehearsal Script”; April 1985) |
|
|
|||
|
1 |
6 |
The Resistible Rise of Arturo Ui – A Parable Play – Author? (Published Script; Collaborator M. Stephen, Trans. Ralph Manheim) |
|
|
|||
|
1 |
6 |
The Restaurant – Author? (Handwritten, 3-Pager) |
|
|
|||
|
1 |
6 |
Revolutionary Witness and Nobody Here But Us Chickens – Peter Barnes (Published Scripts) |
|
|
|||
|
1 |
6 |
Right of Birth – Daniel R. Lillford |
|
|
|||
|
1 |
6 |
The Rover – Aphra Behn (Published Script) |
|
|
|||
|
1 |
6 |
Rum Punch – Compiled By John Alexander (Collection of Pieces On Punch and Judy Pantomimes; incl. Play, “Punch”, By Geire Kami, C. 1999) |
|
|
|||
|
1 |
7 |
The Saliva Milkshake – Author? (Published Script) |
|
|
|||
|
1 |
7 |
Sanctimony - Joe Woodward |
|
|
|||
|
1 |
7 |
That Scoundrel Scapin (Les Fourberies De Scapin) – Author? (Published Script) |
|
|
|||
|
1 |
7 |
Second Scream – Graham Henderson |
|
|
|||
|
1 |
7 |
Silent Partner – Daniel Keene (C. 1987) |
|
|
|||
|
1 |
7 |
Silicon Spies – A Cyber Play Set in the Year 2020 – Hal Judge |
|
|
|||
|
1 |
7 |
Six Characters in Search of An Author – Luigi Pirandello (Published Script) |
|
|
|||
|
1 |
7 |
Soap – Author? (Handwritten Script) |
|
|
|||
|
1 |
7 |
Speaking in Tongues – Andrew Bovell (C. 1996) |
|
|
|||
|
1 |
7 |
Spitting Chips – Peta Murray (Photocopy in Work-Book) |
|
|
|||
|
1 |
7 |
Stray Toasters – Author? (Photocopy in Workbook; Heavily Marked) |
|
|
|||
|
1 |
7 |
Suit – Author? |
|
|
|||
|
1 |
7 |
The Surgeon’s Arms – Author? |
|
|
|||
|
1 |
7 |
A Tale of Two Cities – Charles Darwin (Adapted By?) |
|
|
|
||
|
1 |
7 |
Taxi – Author? |
|
|
|
||
|
1 |
7 |
Terminus – Daniel Keene |
|
|
|
||
|
1 |
7 |
Three – Victor Sheehan (incl. Notes) |
|
|
|
||
|
1 |
7 |
Three Sisters Called Eve – Matthew Aberline |
|
|
|
||
|
1 |
7 |
The Too Hard Basket – Bruce Hoogendorn (1997) |
|
|
|
||
|
1 |
7 |
The Tourist Guide – Botho Strauss (Trans. Anthony Vivis and Tinch Minter) |
|
|
|
||
|
1 |
7 |
The Tower – Graham Henderson and Catherine Hassall |
|
|
|
||
|
1 |
7 |
To Whom It May Concern – Author? |
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||
|
1 |
8 |
Trojan Women – Author? |
|
|
|
||
|
1 |
8 |
Triptych – Kate Herbert |
|
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|
||
|
1 |
8 |
24 Hours in the Life of A Revolutionary: A Play About the Life and Death of Che Guevara – Jose Marques |
|
|
|
||
|
1 |
8 |
Ubu Rex – Author? (Published Script) |
|
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|
||
|
1 |
8 |
The Virtuous Burglar – A One-Act Farce – Author? (Trans. Joseph Farrell; Published Script) |
|
|
|
||
|
1 |
8 |
‘Voice 1 Voice 2 Voice 3’ (Actual Title?) – Author? (Published Script; Marked, “David’s Director’s Script”) |
|
|
|
||
|
1 |
8 |
Waking Up – Author? (Published Script) |
|
|
|
||
|
1 |
8 |
We’ll Let You Know – A Play in One Act – Author? |
|
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|
||
|
1 |
8 |
What If My Bladder Explodes Upon Impact? – Kelly West |
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|
|
||
|
1 |
8 |
Winter Is Tomorrow – Ronald Evans |
|
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|
||
|
1 |
8 |
A Woman Alone – Author? (Published Script) |
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|
||
|
1 |
40 |
Unsorted Scripts |
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||
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||
|
2 |
9-19; 41 |
Production Files |
|
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|
||
|
2 |
9 |
A Bit Like Alice: |
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||
|
2 |
9 |
‘Agnes and Plod’ (Actual Title?): |
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||
|
2 |
9 |
Alice: |
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||
|
2 |
9 |
Amongst the Wild Things (Cyt, July ’98; Dir. By D. Branson and Simone Penkethman): |
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||
|
2 |
9 |
And We Hold Each Other’s Hands – and Nobody Weeps: |
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||
|
2 |
9 |
Anti-Village Captive Hearts (Riverina Tour, ’93; Partner, Outback Theatre): |
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|
2 |
9 |
Apocalypse Club (Gypsy Bar): |
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|
2 |
9 |
Autogeddon: |
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|
2 |
9 |
Baal: |
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|
2 |
9 |
Beyond the Gates of Heavenly Peace: |
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|
2 |
9 |
Big Throat Cabaret: |
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|
2 |
9 |
Bleedlines: |
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|
2 |
9 |
Blue: |
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|
2 |
9 |
Boot: |
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|
2 |
9 |
Bouffon: |
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||
|
2 |
9 |
Butoh: |
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||
|
2 |
10 |
Careful He Might Hear You – the Musical: |
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||
|
2 |
10 |
Cathedral of Flesh (1992): |
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||
|
2 |
10 |
Characters in A Crowd: |
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||
|
2 |
10 |
Chaste Maid in Cheapside: |
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||
|
2 |
10 |
Circo: |
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||
|
2 |
10 |
Circus Maximus: |
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|
||
|
2 |
10 |
The Cook, the Fox and the Bride (Stopera): |
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||
|
2 |
10 |
Crash Cabaret: |
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||
|
2 |
10 |
Crime of Yelling: |
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||
|
2 |
10 |
Cry Stinking Fish: |
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||
|
2 |
11 |
Curse of the Starving Class: |
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||
|
2 |
11 |
Cut Out (Pivot Theatre Co.): |
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|
2 |
11 |
Delires/Delirius: |
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||
|
2 |
11 |
Demons (Street Theatre): |
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||
|
2 |
11 |
Desire (Jigsaw Theatre, 1994): |
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||
|
2 |
11 |
Desperate Acts in Family Voices (Uta Anneke Co. Double-Bill W. Splinters’ in Tristitia Hilaris in Hilaritate Tristis): |
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||
|
2 |
11 |
Diary of A Dwarf: |
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|
||
|
2 |
11 |
A Doll’s House: |
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|
||
|
2 |
11 |
Dragonboat Festival (1993): |
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|
||
|
2 |
11 |
Dreams-Myths-Monsters-Magic (Tuggeranong Show, 19/11/94): |
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|
||
|
2 |
11 |
The Dumb Waiter: |
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||
|
2 |
11 |
Elektra/Miss Julie: |
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|
||
|
2 |
11 |
Fall of the Roman Empire: |
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|
||
|
2 |
12 |
Faust – the Heat of Knowledge (Joint Venture, Splinters/Goethe Institute): |
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||
|
2 |
12 |
Fertile Millenia (1996): |
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||
|
2 |
12 |
Ficky Stingers: |
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|
||
|
2 |
12 |
Fire and Meat (1990): |
|
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|
||
|
2 |
12 |
Filthy Lucre (Photos): |
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|
|
||
|
2 |
12 |
Flowers of Gold (1992): |
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|
|
||
|
2 |
12 |
Fuck Jesus Coke (1990): |
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|
||
|
2 |
13 |
Galactic Fantasy (At National Press Club, 1995; Solander Gallery – Joy Warren): |
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|
|
||
|
2 |
13 |
Gumboot Full of Blood: |
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|
|
||
|
2 |
13 |
Halcyon Days/The Furore/Blue Funk (Splinters at the Performance Space): |
|
|
|
||
|
2 |
13 |
Heinrich Heine – I, Fool of Fortune (Street Theatre, Nov. ’97): |
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|
|
||
|
2 |
13 |
Howling in the Halls of Night: |
|
|
|
||
|
2 |
13 |
I Can’t Explain: |
|
|
|
||
|
2 |
13 |
ICON (Splinters’ Participation in 20th Anniversary of Sydney Opera House): |
|
|
|
||
|
2 |
13 |
Il Matrimanio Segreto: |
|
|
|
||
|
2 |
13 |
In Its Infancy: |
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|
||
|
2 |
13 |
In Tristitia Hilaris in Hilaritate Tristis: |
|
|
|
||
|
2 |
14 |
Island of the Sun (Springbank Island, 1991): |
|
|
|
||
|
2 |
14 |
Ivan Dougherty Gallery – 25 Years of Performance: |
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|
|
||
|
2 |
14 |
Jacques Brel Is Alive and Well and Living in Paris: |
|
|
|
||
|
2 |
14 |
King Lear: |
|
|
|
||
|
2 |
14 |
Kings, Queens, Castles and Crowns: |
|
|
|
||
|
2 |
14 |
Klub Kabarett: |
|
|
|
||
|
2 |
14 |
La Cambiale Di Matrimonio: |
|
|
|
||
|
2 |
14 |
Larger Than Life-Drawing: |
|
|
|
||
|
2 |
14 |
Last of the Sun: |
|
|
|
||
|
2 |
14 |
Lettice and Lovage: |
|
|
|
||
|
2 |
14 |
Like Hell: |
|
|
|
||
|
2 |
14 |
Long Time Earth View Gone: |
|
|
|
||
|
2 |
14 |
Love Song in Asia Minor: |
|
|
|
||
|
2 |
14 |
Love Songs To Welcoming Shores: |
|
|
|
||
|
2 |
14 |
Lust On A Spiritual Plain: |
|
|
|
||
|
2 |
14 |
The Lovers: |
|
|
|
||
|
2 |
14 |
Mag and Bag/Savage Love: |
|
|
|
||
|
2 |
14 |
Massive Love of Risk: |
|
|
|
||
|
2 |
14 |
Medea: |
|
|
|
||
|
2 |
14 |
Metamorphosis: |
|
|
|
||
|
2 |
14 |
Moneydreams: |
|
|
|
||
|
2 |
14 |
Moving On: |
|
|
|
||
|
2 |
14 |
Mutter Courage (1991): |
|
|
|
||
|
2 |
15 |
Mysteries (Canberra Festival, 1996): |
|
|
|
||
|
2 |
15 |
The Naked Splinter: |
|
|
|
||
|
2 |
15 |
Nocturnal Submissions: |
|
|
|
||
|
2 |
15 |
No Tickee/No Shirtee: |
|
|
|
||
|
2 |
15 |
Old-Age Mutant Ninja Grannies: |
|
|
|
||
|
2 |
15 |
The Oracle (1996): |
|
|
|
||
|
2 |
15 |
Ornament and Crime: |
|
|
|
||
|
2 |
15 |
Orpheus: |
|
|
|
||
|
2 |
15 |
Pentagram: |
|
|
|
||
|
2 |
15 |
Persephone: |
|
|
|
||
|
|
15 |
Pet Shop/The Medium (Stopera): |
|
|
|
||
|
2 |
16 |
Pinter Festival (Cia, Sept-Oct. ’98): |
|
|
|
||
|
2 |
16 |
Piper at the Gates of Hell (incl. Hong Kong Tour): |
|
|
|
||
|
2 |
16 |
The Planets: |
|
|
|
||
|
2 |
16 |
Poets in Motion: |
|
|
|
||
|
2 |
16 |
Poets of the Machine: |
|
|
|
||
|
2 |
16 |
Poverty: |
|
|
|
||
|
2 |
16 |
Presenting the Self (Canberra School of Art): |
|
|
|
||
|
2 |
16 |
Project X: |
|
|
|
||
|
2 |
16 |
Punch (Cia): |
|
|
|
||
|
2 |
16 |
Puppet Machine: |
|
|
|
||
|
2 |
16 |
Rameses-Fictations |
|
|
|
||
|
2 |
16 |
The Red Chihuahua: |
|
|
|
||
|
2 |
16 |
The Revenger’s Tragedy (1993): |
|
|
|
||
|
2 |
16 |
Ribbons of Steel (Closing of Newcastle Bhp): |
|
|
|
||
|
2 |
16 |
Ritual of Time and Place: |
|
|
|
||
|
2 |
16 |
Roading Home To Aunty: |
|
|
|
||
|
2 |
16 |
Rosencrantz and Guildernstern Are Dead: |
|
|
|
||
|
2 |
16 |
A Sandcastle Culture (Jigsaw Theatre Educational Training Program): |
|
|
|
||
|
2 |
16 |
Scent of the Wind: |
|
|
|
||
|
2 |
17 |
Second Scream: |
|
|
|
||
|
2 |
17 |
Second Stage (1995; Successor To Terrace Sessions): |
|
|
|
||
|
2 |
17 |
Seen To Be Gone (1992): |
|
|
|
||
|
2 |
17 |
Servants (Floriade): |
|
|
|
||
|
2 |
17 |
Short Stabs/A Short Season of Short Plays (Cia; Dec. ‘97/May ’98): |
|
|
|
||
|
2 |
17 |
Smug Club: |
|
|
|
||
|
2 |
17 |
Snuff Puppets: |
|
|
|
||
|
2 |
17 |
Spinifex City: |
|
|
|
||
|
2 |
17 |
Spiral City: |
|
|
|
||
|
2 |
17 |
Spitting Chips (Jigsaw Theatre; 1994): |
|
|
|
||
|
2 |
17 |
Stray Toasters: |
|
|
|
||
|
2 |
17 |
A Streetcar Named Desire: |
|
|
|
||
|
2 |
17 |
Stuffed, Carved and Plastered: |
|
|
|
||
|
2 |
17 |
Summernats Performance, “Machine War” (Dec. ’93): |
|
|
|
||
|
2 |
17 |
Temple State: |
|
|
|
||
|
2 |
17 |
Theatre of Spectacle: |
|
|
|
||
|
2 |
18 |
Theatrical Fiasco (1990): |
|
|
|
||
|
2 |
18 |
Thirst Is A Place...Water To Burn (1993): |
|
|
|
||
|
2 |
18 |
This Fantastic Lake: |
|
|
|
||
|
2 |
18 |
This Side of Heaven (Tuggeranong Community Arts; 1996): |
|
|
|
||
|
2 |
18 |
Thousand Mile Stare (Choreographic Centre): |
|
|
|
||
|
2 |
18 |
Threepenny Opera (Stopera; 1998): |
|
|
|
||
|
2 |
18 |
Tile Landscape: |
|
|
|
||
|
2 |
18 |
‘Tis A Pity She’s A Whore (Desperate Acts): |
|
|
|
||
|
2 |
18 |
Trouble in the Works: |
|
|
|
||
|
2 |
18 |
Utopia/Dystopia (1995): |
|
|
|
||
|
2 |
18 |
The Vengeance: |
|
|
|
||
|
2 |
19 |
Village of Captive Souls (incl. Regional Nsw Tour; 1996): |
|
|
|
||
|
2 |
19 |
Violine: |
|
|
|
||
|
2 |
19 |
Viva Verdi: |
|
|
|
||
|
2 |
19 |
Waiting for Godot: |
|
|
|
||
|
2 |
19 |
Whirled On A Fatal Floor: |
|
|
|
||
|
2 |
19 |
The Wilderness Room (Gilgul Productions; First Fleet Project): |
|
|
|
||
|
2 |
19 |
Wildest Dreams: |
|
|
|
||
|
2 |
19 |
Winter of the Rutting Moon (1991): |
|
|
|
||
|
2 |
19 |
Women Beware Women: |
|
|
|
||
|
2 |
19 |
Youth Party Day (Weston Creek Community Service; Splinters Program On Springbank Island; 1995): |
|
|
|
||
|
2 |
41 |
Production notes/scripts and scores in binders but unlisted |
|
|
|
||
|
|
|
|
|
|
|
|
|
|
3 |
20-24; 49 |
SPLINTERS COMPANY ADMINISTRATION |
|
|
|
||
|
3 |
20 |
1991 Community Housing Application: Application Form (Anthony S. Vaskess, Splinters Director/Secretary); Community Organisation Rental Housing Assistance Program – Sept. 1990; ACT Housing and Community Services Bureau – Letter of Support for “Splinters” (Rachel Lalor, IMPACT Project Officer, 6/3/91; Addressed To Assistant Manager Community Housing Section, Janine O’Dwyer); Canberra Contemporary Art Space, Letter of Support for Splinters’ Housing Application (Anne Virgo Director CCAP Inc., 7/3/90); ACT Ministry for Health, Education and the Arts, Letter of Support for ACT Arts Bureau Grants (2) To Splinters Upon Incorporation of Company (Meredith Hinchliffe Senior Project Officer, 11 March 1991) |
|
|
|
||
|
3 |
20 |
1991 Australia Council Creative Development Application: Information Form for Applicants; |
|
|
|
||
|
3 |
20 |
1991 Financial ‘Budgetry’: |
|
|
|
||
|
3 |
20 |
1992 Audited Financial Statements: |
|
|
|
||
|
3 |
20 |
Manifesto and Rationale/Minutes, Management Committee Meeting, 4/5/92: |
|
|
|
||
|
3 |
20 |
1992 Theatrical Actors Award Contract (Actor’s Equity; Meaa; Entertainment Industry Employers’ Association): |
|
|
|
||
|
3 |
20 |
1992 Audiovisual Project – Application to ACT Arts Bureau (Lushun Tan): |
|
|
|
||
|
3 |
20 |
Business Plans, 1993-1995: |
|
|
|
||
|
3 |
20 |
1993 Budget/Member Survey/Company Structure/Internal Correspondence |
|
|
|
||
|
3 |
20 |
5/1993 Articles of Association: |
|
|
|
||
|
3 |
20 |
1993 Nsw Arts and Heritage Project/Student Services Australia: |
|
|
|
||
|
3 |
20 |
1993 Jobskills Placement Program (Ces): |
|
|
|
||
|
3 |
20 |
1994 Masterclass and Visiting Teachers Grant (Janine Peacock): |
|
|
|
||
|
3 |
20 |
1994 Grant Application – Administrative Improvement Consultancy (Alan Mathiesson): |
|
|
|
||
|
3 |
20 |
1994 Documentation of Grants – Applications, Submissions and Aquittals: |
|
|
|
||
|
3 |
20 |
1994 Financial Staements/Members’ Newsletters: |
|
|
|
||
|
3 |
20 |
1994 Program and Budget (Revised): |
|
|
|
||
|
3 |
20 |
1994 “Oracle” Proposals/Apr.-May 1994 Members’ Newsletters: |
|
|
|
||
|
3 |
20 |
1994 Finland Tour/Profit and Loss Statements (Jan-Sept. ’94): |
|
|
|
||
|
3 |
20 |
19 Oct 1994 Agenda Items for Board Meeting |
|
|
|
||
|
3 |
20 |
1994 Assets Register |
|
|
|
||
|
3 |
20 |
1994 Minutes – 21/9; 28/10; 21/11/94; 20/1/95: |
|
|
|
||
|
3 |
20 |
1994/’95 Act Cultural Development Grant Applications: |
|
|
|
||
|
3 |
21 |
1994/’95 Interim Board Minutes: |
|
|
|
||
|
3 |
21 |
1995 Annual Program Application: |
|
|
|
||
|
3 |
21 |
1995 10th Anniversary Report and Press Release: |
|
|
|
||
|
3 |
21 |
1995 Dispute: |
|
|
|
||
|
3 |
21 |
1995 Press: |
|
|
|
||
|
3 |
21 |
1995 Management Contract: |
|
|
|
||
|
3 |
21 |
1995 Michelle Morgan Workshop Contracts: |
|
|
|
||
|
3 |
21 |
March 1995 Perofrmance Agreement – Splinters and Canberra Theatre Trust: |
|
|
|
||
|
3 |
21 |
1995 Contract, Act Cultural Development Grant: |
|
|
|
||
|
3 |
21 |
1995 Financial Accounts/Agm Minutes/Management Committee Reports: |
|
|
|
||
|
3 |
21 |
March-May/’95 Advance Bank Acct. Details: |
|
|
|
||
|
3 |
21 |
1995 Advertising Admin: |
|
|
|
||
|
3 |
21 |
October 1994-August 1995 Fundraising Correspondence, Splinters/Australia Council: |
|
|
|
||
|
3 |
21 |
1995 Applications for Funding: |
|
|
|
||
|
3 |
21 |
1996 “Financial Matters”: |
|
|
|
||
|
3 |
21 |
1996 Performing Arts Board Applications: |
|
|
|
||
|
3 |
21 |
1996 Australia Council Grant: |
|
|
|
||
|
3 |
21 |
Sept. 1996 Aquittal of 1994 Grant: |
|
|
|
||
|
3 |
21 |
1996 Healthpact Applications: |
|
|
|
||
|
3 |
21 |
1997 Program Proposal: |
|
|
|
||
|
3 |
21 |
1997 Budgeting: |
|
|
|
||
|
3 |
21 |
School Work Experience Program Involvement (Caroline Chisholm High; St. Francis Xavier High): |
|
|
|
||
|
3 |
21 |
ACT Legislative Assembly Report on Splinters (Minister for Heritage and the Arts, Mr Gary Humphries MLA): |
|
|
|
||
|
3 |
21 |
References: |
|
|
|
||
|
3 |
21 |
Superannuation: |
|
|
|
||
|
3 |
21 |
DSS Employment Separation Certificates/ATO Quotation Of |
|
|
|
||
|
3 |
21 |
Exemption Declarations: |
|
|
|
||
|
3 |
22 |
ATO Employment Declarations (Info. for Employers): |
|
|
|
||
|
3 |
22 |
Correspondence: |
|
|
|
||
|
3 |
22 |
Attendance Records: |
|
|
|
||
|
3 |
22 |
“Splintered Graphics”: |
|
|
|
||
|
3 |
22 |
Business- arts connections– “Discussions Re. Developing A Marketing Plan” (Peter Haynes, Sp. Michael Mitchener, BAC): |
|
|
|
||
|
3 |
22 |
“PR Stuff”/”Crowd Thepry” (Audience Survey): |
|
|
|
||
|
3 |
22 |
“Bills To Be Paid”: |
|
|
|
||
|
3 |
22 |
Bills – Telstra, Optus: |
|
|
|
||
|
3 |
22 |
Splinters Company Receipts: |
|
|
|
||
|
3 |
22 |
NRMA and vehicle insurance/van log and papers: |
|
|
|
||
|
3 |
22 |
Volunteer Insurance: |
|
|
|
||
|
3 |
23 |
Legal Forms - Liability Insurance/Subpoenas/Workers’ Compenmsations: |
|
|
|
||
|
3 |
23 |
Insurance (Wbw; Aiba Group; Mmi)/Marine Cargo: |
|
|
|
||
|
3 |
23 |
Fireworks Licensing Documents (Patrick Troy, Licensee): |
|
|
|
||
|
3 |
23 |
David Branson 1995 Jobskills Program Involvement: |
|
|
|
||
|
3 |
23 |
Tina Barry, Employee Info: |
|
|
|
||
|
3 |
23 |
Ross Cameron, Employee Info: |
|
|
|
||
|
3 |
23 |
Janet Casey: |
|
|
|
||
|
3 |
23 |
Phillip Crotty 1995 Jobskills Program Involvement: |
|
|
|
||
|
3 |
23 |
Jacqui Everitt 1995: |
|
|
|
||
|
3 |
23 |
Gavin Findlay, Task Lists: |
|
|
|
||
|
3 |
23 |
Catherine Hassall, Contract W. Splinters: |
|
|
|
||
|
3 |
23 |
Peter Haynes: |
|
|
|
||
|
3 |
23 |
Sterhen Howard, Ces History: |
|
|
|
||
|
3 |
23 |
Clint Hurrell: |
|
|
|
||
|
3 |
23 |
Judith (‘Jai’) Mchenry: |
|
|
|
||
|
3 |
23 |
Andy Miller: |
|
|
|
||
|
3 |
23 |
Gerard Murphy: |
|
|
|
||
|
3 |
23 |
Catherine Pepper: |
|
|
|
||
|
3 |
23 |
Rebecca Rutter, Ces History: |
|
|
|
||
|
3 |
23 |
Penny Sands: |
|
|
|
||
|
3 |
23 |
Elizabeth Tierney: |
|
|
|
||
|
3 |
23 |
Patrick Troy, Ces History: |
|
|
|
||
|
3 |
23 |
Tom Van Sebille: |
|
|
|
||
|
3 |
23 |
Stuart Vaskess: |
|
|
|
||
|
3 |
23 |
Resumes for Actors’ School: |
|
|
|
||
|
3 |
23 |
Health Promotion Fund: |
|
|
|
||
|
3 |
24 |
Activities List (Sept.-Dec. – Year?): |
|
|
|
||
|
3 |
24 |
Proposal for Splinters’ Visual Arts Show: |
|
|
|
||
|
3 |
24 |
Reports and Proposals |
|
|
|
||
|
3 |
24 |
CVs - Various |
|
|
|
||
|
3 |
24 |
Minutes and Certificate of Incorporation |
|
|
|
||
|
3 |
24 |
1995 Message Diary |
|
|
|
||
|
3 |
49 |
Board Papers 1994; David Branson Resumes |
|
|
|
||
|
|
|
|
|
|
|
||
|
4 |
25-28 |
OTHER THEATRE COMPANIES/GOVERNMENTAL ARTS BODIES |
|
|
|
||
|
4 |
25 |
2XX CD Recording: |
|
|
|
||
|
4 |
25 |
ACME Productions: |
|
|
|
||
|
4 |
25 |
ACT Arts Development Program: |
|
|
|
||
|
4 |
25 |
ACT Arts Industry Council: |
|
|
|
||
|
4 |
25 |
ACT Cultural Council: |
|
|
|
||
|
4 |
25 |
ACT Cultural Development Funding Program: |
|
|
|
||
|
4 |
25 |
ACT Ministry for Health, Education and the Arts: |
|
|
|
||
|
4 |
25 |
ACT Music: |
|
|
|
||
|
4 |
25 |
ACT Planning Authority: |
|
|
|
||
|
4 |
25 |
Actors Equity: |
|
|
|
||
|
4 |
25 |
Adelaide Festival and Fringe Festival: |
|
|
|
||
|
4 |
25 |
Amnesty International: |
|
|
|
||
|
4 |
25 |
Anneke, Uta: |
|
|
|
||
|
4 |
25 |
Antonio Mete, Production Manager: |
|
|
|
||
|
4 |
25 |
APAD (Australian Performing Arts Industry): |
|
|
|
||
|
4 |
25 |
Arena Theatre: |
|
|
|
||
|
4 |
25 |
Arrabal, Fernando: |
|
|
|
||
|
4 |
25 |
Art School Ball (Theatrical Extension, “Butcher’s Knife”) |
|
|
|
||
|
4 |
25 |
Arts Law Centre of Australia: |
|
|
|
||
|
4 |
25 |
Arts National: |
|
|
|
||
|
4 |
25 |
Artsnet: |
|
|
|
||
|
4 |
25 |
Arts on Tour NSW: |
|
|
|
||
|
4 |
25 |
Arts Industries Association of the ACT: |
|
|
|
||
|
4 |
25 |
Artspace: |
|
|
|
||
|
4 |
25 |
Arts and Special Events: |
|
|
|
||
|
4 |
25 |
Arts Training ACT: |
|
|
|
||
|
4 |
25 |
Arts Victoria: |
|
|
|
||
|
4 |
25 |
Arts Value ACT: |
|
|
|
||
|
4 |
25 |
ARX 87: |
|
|
|
||
|
4 |
25 |
Australasian Touring Contacts (Guidelines and Recommendations; 1993, 1995): |
|
|
|
||
|
4 |
25 |
Australia Council Guide: |
|
|
|
||
|
4 |
25 |
Australia Council Report on the Federal, State and Territory Performing Arts Officers Meeting, 10-11 1995: |
|
|
|
||
|
4 |
25 |
Australia Coyuncil Application Forms 1993: |
|
|
|
||
|
4 |
25 |
Australia Council Artistic Report 1995: |
|
|
|
||
|
4 |
25 |
Australia Council Performing Arts Board – International Touring 1994: |
|
|
|
||
|
4 |
25 |
Australian Festival of Youth Arts: |
|
|
|
||
|
4 |
25 |
Australian Multi-Media Enterprise: |
|
|
|
||
|
4 |
25 |
Australian National Gallery: |
|
|
|
||
|
4 |
26 |
Australian National Playwrights’ Festival: |
|
|
|
||
|
4 |
26 |
Australian National University: |
|
|
|
||
|
4 |
26 |
Australian Film Commission: |
|
|
|
||
|
4 |
26 |
Australian Theatre Festival 1991: |
|
|
|
||
|
4 |
26 |
Australian Perspecta 1995: |
|
|
|
||
|
4 |
26 |
Bank Statements/Phone Bills (ANZ, Martin-Dawes, Optus): |
|
|
|
||
|
4 |
26 |
Belvoir: |
|
|
|
||
|
4 |
26 |
Bits Theatre: |
|
|
|
||
|
4 |
26 |
Bravo Promotions: |
|
|
|
||
|
4 |
26 |
Brazil, Wendy – Theatre Reviews: |
|
|
|
||
|
4 |
26 |
CADAS Kids: |
|
|
|
||
|
4 |
26 |
Campus Amateur Dramatic Society (ANU): |
|
|
|
||
|
4 |
26 |
Canberra Artists Collective (CAC): |
|
|
|
||
|
4 |
26 |
Canberra Arts Marketing: |
|
|
|
||
|
4 |
26 |
Canberra Brickworks: |
|
|
|
||
|
4 |
26 |
Canberra Contemporary Art Space: |
|
|
|
||
|
4 |
26 |
Canberra Cultural Authority: |
|
|
|
||
|
4 |
26 |
Canberra Festival: |
|
|
|
||
|
4 |
26 |
Canberra Fringe Festival: |
|
|
|
||
|
4 |
26 |
Canberra Institute of the Arts: |
|
|
|
||
|
4 |
26 |
Canberra New Business Centre: |
|
|
|
||
|
4 |
26 |
Canberra Repertory Theatre: |
|
|
|
||
|
4 |
26 |
Canberra Symphony Orchestra: |
|
|
|
||
|
4 |
26 |
Canberra Theatre Centre: |
|
|
|
||
|
4 |
26 |
Canberra Theatre Trust: |
|
|
|
||
|
4 |
26 |
Canberra Youth Theatre (production meeting minutes, 2/3/94 - Re. “Piper”; CYT newsletter, Aug. ’94; Annual Report, 1995): |
|
|
|
||
|
4 |
26 |
Capital Arts Patrons Oraganisation (CAPO): |
|
|
|
||
|
4 |
26 |
CIA: |
|
|
|
||
|
4 |
26 |
City Art Gallery, Wagga: |
|
|
|
||
|
4 |
26 |
Club Foote: |
|
|
|
||
|
4 |
26 |
Collaborators Theatre Group (Stephen Howard): |
|
|
|
||
|
4 |
26 |
The Company: |
|
|
|
||
|
4 |
26 |
Conflict Resolution Centre: |
|
|
|
||
|
4 |
26 |
Contact Names and Addresses (Misc.?): |
|
|
|
||
|
4 |
26 |
Creative Nation: |
|
|
|
||
|
4 |
26 |
Currong Theatre: |
|
|
|
||
|
4 |
26 |
Eureka Theatre: |
|
|
|
||
|
4 |
26 |
Festival of Arts, Strathnairn: |
|
|
|
||
|
4 |
26 |
Festival of Contemporary Arts: |
|
|
|
||
|
4 |
26 |
Fringe Writers Festival: |
|
|
|
||
|
4 |
26 |
Fo Festival: |
|
|
|
||
|
4 |
26 |
Folk Festival (1994): |
|
|
|
||
|
4 |
26 |
Folk Festival (Contract Dispute): |
|
|
|
||
|
4 |
26 |
Found Objects: |
|
|
|
||
|
4 |
26 |
Gaudeamus: |
|
|
|
||
|
4 |
26 |
Goethe Institute: |
|
|
|
||
|
4 |
26 |
Gorman House Arts Centre: |
|
|
|
||
|
4 |
27 |
Grant Application Forms: |
|
|
|
||
|
4 |
27 |
Griffin Centre: |
|
|
|
||
|
4 |
27 |
Gypsy Bar: |
|
|
|
||
|
4 |
27 |
Henderson, Graham (mostly reviews): |
|
|
|
||
|
4 |
27 |
Hong Kong Youth Arts Festival 1994/HK Fringe Festival ’95: |
|
|
|
||
|
4 |
27 |
Impact Youth Grants (Applications for Individual Projects): |
|
|
|
||
|
4 |
27 |
Impact Grants (Guidelines and Minutes): |
|
|
|
||
|
4 |
27 |
Interact Conference: |
|
|
|
||
|
4 |
27 |
Inter-School Theatre Association: |
|
|
|
||
|
4 |
27 |
International Society for the Performing Arts in Australia (ISPAA): |
|
|
|
||
|
4 |
27 |
ITI – Australian Centre of the International Theatre Institute: |
|
|
|
||
|
4 |
27 |
Jigsaw Theatre (Super and benefit statements): |
|
|
|
||
|
4 |
27 |
La Mama’s: |
|
|
|
||
|
4 |
27 |
Llewellyn Hall (Hall hire, 1996): |
|
|
|
||
|
4 |
27 |
Loud (Media Festival of Youth Culture and the Arts): |
|
|
|
||
|
4 |
27 |
Media, Entertainment and Arts Alliance (MEAA): |
|
|
|
||
|
4 |
27 |
Media Lists and Policy Statements (Arts Organisations): |
|
|
|
||
|
4 |
27 |
Melbourne Fringe Festival: |
|
|
|
||
|
4 |
27 |
Melbourne Theatre Company (1996): |
|
|
|
||
|
4 |
27 |
Meryl Tankard Company: |
|
|
|
||
|
4 |
27 |
Mikelangelo and the Black Sea Gentlemen: |
|
|
|
||
|
4 |
27 |
Mixed Bag Productions: |
|
|
|
||
|
4 |
27 |
Muse Magazine: |
|
|
|
||
|
4 |
27 |
National Association for the Visual Arts (NAVA): |
|
|
|
||
|
4 |
27 |
National Campaign for the Arts Australia (NCAA): |
|
|
|
||
|
4 |
27 |
National Festival of Australian Theatre (1993): |
|
|
|
||
|
4 |
28 |
National Playwrights Conference/National Festival of Australian Theatre: |
|
|
|
||
|
4 |
28 |
National School for Performance Investigation: |
|
|
|
||
|
4 |
28 |
National Trust Mission Arts Centre: |
|
|
|
||
|
4 |
28 |
Next Wave Festival: |
|
|
|
||
|
4 |
28 |
Nowon Maniesto (“Spontaneous Combustion”): |
|
|
|
||
|
4 |
28 |
Open City: |
|
|
|
||
|
4 |
28 |
“Opening the Doors” – Report to ACT Cultural Council through Arts and Special Events (To review Performing Arts by Young People in the ACT): |
|
|
|
||
|
4 |
28 |
Pact Theatre: |
|
|
|
||
|
4 |
28 |
Padma Menon Dance Theatre: |
|
|
|
||
|
4 |
28 |
People Next Door: |
|
|
|
||
|
4 |
28 |
The Performance Space: |
|
|
|
||
|
4 |
28 |
Performing Arts Board – Performance Calendar, July-Dec. 1995: |
|
|
|
||
|
4 |
28 |
Perseverance Hotel (Brunswick St. , Fitzroy): |
|
|
|
||
|
4 |
28 |
Photo Access: |
|
|
|
||
|
4 |
28 |
Playing Australia (Program Objectives/Guidelines; Newsletter, Summer 1995/’96): |
|
|
|
||
|
4 |
28 |
Praxis: |
|
|
|
||
|
4 |
28 |
Prik Harness: |
|
|
|
||
|
4 |
28 |
Punter’s Club Hotel: |
|
|
|
||
|
4 |
28 |
Pure Theatre: |
|
|
|
||
|
4 |
28 |
Ralph Wilson Theatre: |
|
|
|
||
|
4 |
28 |
RIVERINA CONNECTIONS (Wagga Elbowroom, Etc.): |
|
|
|
||
|
4 |
28 |
Road Transport Authority/Urban Services: |
|
|
|
||
|
4 |
28 |
Robinson, Peter: |
|
|
|
||
|
4 |
28 |
St. Martin’s Youth Arts Centre: |
|
|
|
||
|
4 |
28 |
Schools’ Shakespeare Competition (David Branson, Judge): |
|
|
|
||
|
4 |
28 |
Screaming Lord Byron: |
|
|
|
||
|
4 |
28 |
Sidetrack Theatre (1992): |
|
|
|
||
|
4 |
28 |
Sidewinder: |
|
|
|
||
|
4 |
28 |
Skylark Theatre: |
|
|
|
||
|
4 |
28 |
Spoleto Fringe Festival: |
|
|
|
||
|
4 |
28 |
Springbank Island: |
|
|
|
||
|
4 |
28 |
Street Theatre (“ACT Writer’s Street Salon”): |
|
|
|
||
|
4 |
28 |
Survival Research Laboratories (SRL Workshops): |
|
|
|
||
|
4 |
28 |
Sydney Festival: |
|
|
|
||
|
4 |
28 |
Taylor Square Arts Festival (Planning Documents, 1992): |
|
|
|
||
|
4 |
28 |
Teame Traineeship: |
|
|
|
||
|
4 |
28 |
Terrace Sessions: |
|
|
|
||
|
4 |
28 |
Theatrix @ Players: |
|
|
|
||
|
4 |
28 |
Schoyble, Niko (“Tibetan Dixie”): |
|
|
|
||
|
4 |
28 |
Tilleys: |
|
|
|
||
|
4 |
28 |
Tuggeranong Community Arts Theatre: |
|
|
|
||
|
4 |
28 |
Two Dogs’ Nightclub (“Dogs in Space”; FOCA): |
|
|
|
||
|
4 |
28 |
University of Melbourne, Faculty of Music: |
|
|
|
||
|
4 |
28 |
Upfront Theatre: |
|
|
|
||
|
4 |
28 |
Victorian Ministry for the Arts: |
|
|
|
||
|
4 |
28 |
Wanderers’ Football Club: |
|
|
|
||
|
4 |
28 |
WBK Theatre: |
|
|
|
||
|
4 |
28 |
Wired Youth Arts Festival: |
|
|
|
||
|
4 |
28 |
Woodward, Joe: |
|
|
|
||
|
4 |
28 |
Youth Affairs: |
|
|
|
||
|
|
|
|
|
|
|
||
|
5 |
42; 50-56 |
PERSONAL CORRESPONDENCE AND JOURNALS |
|
|
|
||
|
5 |
42 |
Education history, financial documents, miscellaneous correspondence |
|
|
|
||
|
5 |
50-56 |
Correspondence and Journals |
|
|
|
||
|
|
|
|
|
|
|
|
|
|
6 |
29-34; 37-39 |
MEDIA PUBLICATIONS/FLYERS/PROGRAMS/PHOTOGRAPHS AND IMAGES |
|
|
|
||
|
|
29-34; 37 |
Media cuttings, flyers, programs and other promotional material |
|
|
|
||
|
6 |
38 |
Photos |
|
|
|
||
|
6 |
39 |
Slides, floppy disks, idtags, business cards, photos, postcards |
|
|
|
||
|
|
|
|
|
|
|
||
|
7 |
35, 36 |
THEATRICAL AND POLITICAL DISCUSSION PAPERS/CREATIVE WRITING BY VAROUS AUTHORS |
|
|
|
||
|
|
|
|
|
|
|
||
|
8 |
43-48 |
AUDIOVISUAL MATERIALS |
|
|
|
||
|
|
43 |
David Branson Recordings of shows and sessions |
7 x SVHS |
|
|
||
|
|
44 |
David Branson Shows and workshops |
22 x VHS |
|
|
||
|
|
45 |
Recordings |
10 x ¾” tapes |
|
|
||
|
|
46 |
David Branson Recordings |
2 x Umatic |
|
|
||
|
|
47 |
Splinters Recordings |
5 x Umatic |
|
|
||
|
|
48 |
Splinters Recordings |
17 x VHS |
|
|
||
|
|
|
|
|
|
|
||
|
9 |
|
POSTERS |
|
|
|
||
|
|
|
2 x non-standard boxes of posters |
|
|
|
||
|
|
|
|
|
|
|
||
|
10 |
|
SET MODELS |
|
|
|
||
|
|
|
Three dimensional models of Springbank Island |
2 |
|
|
||
|
|
|
|
|
|
|
||
|
|
|
UNSERIESED |
|
|
|
||
|
|
|
1 oversized box in scripts, original poem, sketchbook, posters – items to be included within appropriate series |
|
|
|
|
|





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